This installation is in direct conversation with the portico in front of the Mount Royal Station Building in Baltimore, MD. Porticos began to show up early U.S. architecture as a part of a broader aesthetic push to blend architecture and landscape. The symmetrical, Greco-Roman aesthetics of porticos were often mirrored in the gardens they led out to—manicured formal gardens intended to represent humankind’s ability to re-arrange and re-order (dominate) non-human life. and a garden to look out on imagines this portico as the site for a strange garden, intended to acknowledge the uncanny spaces that exist between human and non-human life.
Exact Instructions
Pen plotted drawing based on print from Gardener’s Labyrinth
Pen plotted drawing based on print from Gardener’s Labyrinth